Chinese Cultural Renaissance on Stage

Over the past four years, Chinese culture hasby those who are deceived and ignorant. Communist
experienced a remarkable renaissance in the form ofculture is, in fact, the antithesis of China's traditional
an international theatrical phenomenon known as theculture.
"Chinese New Year Spectacular." The production hasWhat is it, then, that has been presented as Chinese
grown from seven performances in five cities in 2004culture in recent years? There are certainly some
to 76 performances in 30 cities for 2007.skilled performers,designers, and significant financial
The distinguishing feature of this production is that itsresources put into the production and marketing of
artists and creators have immersed themselvesthese presentations. However, without genuine
deeply in China's ancient traditions, which have beenunderstanding and respect for the beliefs and
systematically suppressed for over half a century.traditions, can this be Chinese culture? When the
Never before have China's traditions and culture beenguiding ideology disdains these traditions and beliefs,
expressed on such a grand scale internationally. Thecan there be anything genuine beyond the copies of
shimmering reemergence of this beautiful culture iscostumes, utilization of traditional instruments, and
the secret to the phenomenal success of thesurface representation of architecture through sets?
Spectacular, which is constantly evolving with theGymnasts tumbling in traditional clothing cannot
creation of new programs.convey the profound inner meaning of traditional
Traditional Chinese culture inspired many of theChinese culture. A stage full of aggressive drummers
greatest achievements of humankind. Nurtured inbrashly pounding away also ends up empty. What is
Taoism, Buddhism, Confucian thought, and a deepvital is the intent behind it all, the inner purpose that
sense of spiritual reverence and moral obligation, itmotivates every move, every drumbeat, every
infused the thoughts, actions, art, poetry, music,musical note, and every stitch of clothing.
dance, and architecture during the 5,000-year paradeSo if not traditional Chinese culture, then, what is it
of China's dynasties. Artists from all over the world,that China has been exporting in recent years? This is
including many who were initially from mainland China,precisely communist culture. And it is in perpetual
have come together to journey into this vast andchange of disguise. While either wearing traditional
profound history to bring forth the theatricalChinese costumes or in the curious and ill-fitting
creations that make up the Spectacular.attempts to emulate Western culture, these
Many of China's cultural artifacts and records stillcommunist disguises have nothing inside.
exist, having survived the openly stated intent ofCommunist culture amounts to atheism, a disdain for
China's communist regime to completely eradicate allspirituality, the belief that there is nothing beyond this
traditional Chinese culture during the Culturalone life, and that humans must strive to continually
Revolution, which lasted from the mid-1960s to thestruggle and contend with one another. That spiritual
mid-1970s. During this cultural catastrophe, thousandsvoid, mixed with the now fervent capitalist
of temples, countless paintings, sculptures, scrolls,aspirations, results in short-sighted pursuit of material
poems, and other precious artifacts were destroyed.gain without moral parameters so as to indulge to
It was a period of extreme violence and spiritualthe fullest in the journey of this singular life: a cocktail
devastation. But 5,000 years are not easilyfor chaos. This is China's communist culture. Its very
eradicated. The deeply rooted beliefs and traditionssurvival demands a disguise. To imagine its true
survived, if silently, in the hearts of many Chinese.representation on stage brings nothing to mind.
In recent years there has been an increasingThe artists of the Spectacular have completely
international interest in things Chinese. China'sdevoted themselves to understanding and conveying
communist regime has taken up this cue and hasthe ancient traditions. They have made an artist's
exported numerous Chinese "cultural" performances.sacrifice. Much like painters who have endured years
But on close examination, one is presented with aof harsh conditions to understand and recreate the
fundamental contradiction. The Communist regime'sessence of beautiful landscapes, the artists of the
atheist ideology and culture directly oppose theSpectacular have likewise embarked on a noble,
entirety of China's 5,000-year culture before thesome would say, sacred journey. This is the tangible
communists overtook the country in 1949. Spirituality,experience of audience members who have been
religion, and the moral observances of China's historyenthralled and deeply moved by this cultural
have been openly disdained by the regime andphenomenon that has resulted in the soaring growth
considered superstitious and ridiculous, believed onlyof the Spectacular in four short years.