Review of Jewellery As a Sacred Object in Thailand

Jewellery in Thailand is not only for the purpose ofStone Castle, Nakornratchsima. Pieces of gold with
beauty but it is also related to beliefs and faith,and without patterns for religious purposes, including
especially faith in religions and certain practices. Suchgold ornaments offered to Deva images, such as
faith developed into various forms like the amulet; anecklaces and pahurad (a kind of bracelet) created
magical power, worn for the purpose of protection infor offering to Hinduism's devas, or bodhisattvas of
specific occasions such as wartime, adventure orMahayana Buddhism, were also found.
wondering. Beliefs are also expressed through theSubsequently, in the nineteenth century, Thais living
patterns and colours of ornaments, since thearound Yom Basin gathered and established the
discovery of precious elements, such as gold, silverKingdom of Sukothai. The central cities were
and gemstones. These were brought into variousSukothai and Srisatchanarai which are now located in
styles of ornamentation with particular characteristicsthe province of Sukothai. The cities were prosperous
and purposes. The ornaments range from beingin terms of art, culture, and economics. There are
decorative objects, representing status or presentingarchaeological evidences and objects left until today.
roles in a society. The ruling class, upper class people,The designs of the uses of gold for Buddhism,
such as the king, specially use precious rare ones anddresses and jewellery discovered are such as, golden
members of the royal family, use them as sacredrings, eight petal- golden flowers at Wat Mahatath,
items related to certain beliefs and religions andincluding golden Buddha images. The time when the
respected by the society. Examples are the Buddhakingdom of Sukothai was located at Yom Basin was
images, idols and religious places.prosperous; another Thai kingdom was called
In Thailand, evidence of the ornament designs, partly,Ayutthaya.
have been studied through the accessories ofAyutthaya was situated to the south of Chao Phraya
Buddha images or the kings' and members of royalBasin surrounded by three rivers: Lopburi River, Chao
families' ornamentations. This is because, in the past,Phraya River and Pasak River. Such a location made
the ornaments showed social status. There wereAyutthaya an appropriate spot for trading, for
orders imposed, which clearly stated which castecommunication and goods forwarding, especially from
could use which ornaments, or objects. For example,India and China. Ayutthaya became the centre of
the number of ornaments a person belonging to atrading in Southeast Asia. The civilization and power
certain order of precedence can wear and what kindof the kingdom enabled Ayutthaya to annex
of objects can be worn; a person of a certain statusneighbouring states, including Sukothai. Eventually they
can or cannot wear a certain object; if a personwere all called the Kingdom of Siam. The evidence
violates the order, what punishment it will be. Theseshowing the prosperity and wealth of the kingdom of
rules do not only apply to ornamentation but also toAyutthaya is the gold work discovered at Wat
clothing. For instance, a person of certain statusMahatath. The goldsmiths in Ayutthaya are renowned
should wear flower prints with patterns and colours.for producing the best goldsmithing era that is as well
Or, for an ornament made of gold decorated withskilful as those in our country. Goldsmiths can
diamonds, only the king can wear. Or, Rachavadeeproduce gold-silver work in thousands of styles, all of
enamelled gold ornaments are worn by the prince orwhich are very beautiful. Gold and silver inlaid work is
princess. Gold ornaments are allowed to wear only byvery cleanly neat, including the brilliant lines added
the prince (in the grandchild generation of the king.)superbly; they use little water to weld the gold and
Aristocrats who are not Praya (a nobleman higher ininlay with gold and silver so skilfully that it is difficult
rank than Pra, lower than Chao Praya) can wearto identify which part is the seam.
silver objects. Ordinary people use copper.The examples of Ayutthaya jewellery are specifically
In studying documents written in the past, the wordfrom the mid and late Ayutthaya periods because of
ornament did not exist. However, there are wordsthe war with Burma, but very few remain. However,
categorizing ornaments into two categories:from studying sculptures, such as the images of
Siraphorn, which means head ornaments andbodhisattva, or the jewellery on the full dressed
Thanimpimpaphorn, which means body, and headBuddha images, there were ornaments decorated
ornaments (Siraphorn.) These define positions andwith 'Prajamyam ', 'Dokjan flower', flowery or flowers
the order of precedence (or estate or feudalisticin rhombus frame, 'Kra Chang ' or triangle patterns.
status) (Fine Arts department 1993, P. 34).The Buddha images found can be divided into two
Furthermore, apart from the four necessities forgroups:o The first group of jewellery sacred for the
maintaining life, food, clothing, medicines and shelter,Buddha images is similar to the characteristics like the
which are the fundamental needs, human beings alsoones inscribed. That is, the head ornaments are
want to have facilities and other objects for the ritualdecorated with a series of coils overlapping upwards
of life, they want to attain the spirituality of mind,to form a high cone-shape top. The heads are still of
which make life more complete, sacrificing a basicthe same style with general Buddha images, which
cycle of life; birth, old age, suffering, and death. Theyshow the heads and the rays.o The second group of
also want to differentiate themselves and showjewellery sacred for the Buddha images with clear
self-importance to society. In the past, bodydevelopment (evolved from the first group of
decoration with natural objects such as colours fromBuddha images) in terms of ornamentation. (Chao
natural resources for painting, flowers, leafs, feathers,Sam Praya National Museum, Ayutthaya and Pra
shells, bones, canine teeth, ivory, etc., were broughtNakorn National Museum, Bangkok leaflet 2000)
into use. Such decoration is for the purpose ofWhat they have in common are that the lockets are
beauty or power or expression of courage.in the broad shape like wide collars; there are strings
This simply shows one's pleasure and self-uniqueness,of ornaments hung from the lockets called Tub
which usually happens in every society in the world.suang, which were made as broad gold sheets. The
This, also, shows the fundamental relation betweengold sheets were made in different pieces that could
human beings and jewellery from the past until thebe joined. The front of the locket, at the lowest
present. Although jewellery is not part of the needspart, is made as a big broad gold sheet with many
for life, they are objects generating one's fulfilmentspeaks and with big 'dokchan ' patterns beautifully
and regarded as important for one's mind, which hasinlaid with colourful rubies. Other gold sheets are also
an influence on one's living. The designs and objectsdecorated with patterns and inlaid with precious
brought into body decoration or to ornamentstones (Judhawipak 2002, P.42-43).o Other
production have evolved from a particular period ofornaments are crowns, earrings, Pahurad and arm
time and objects found.bracelets. Pahurad is a little bigger than an arm
Evolution of Jewellery In Relation to Buddhismbracelet, which they can resemble. More precisely,
Based upon archaeological evidence, records andthe differences are that the lower part of Pahurad is
other documents, including jewellery discovered at aconcave and its upper part is pointed. For the arm
number of ancient sites, Thai jewellery together withbracelet, both its upper and lower frames are even
its stories and evolution have existed along with Thai(Chao Sam Praya National Museum, Ayutthaya and
history. The designs of the ornaments have beenPra Nakorn National Museum, Bangkok leaflet, 2000).
developed according to the change of period and toTheir patterns and designs can be compared with
the influence of a certain belief of a particular period.those of dressed sculptures created in the
All the ornaments are used as sacred items. Thesubsequent period. But sometimes the Buddha
popular ones are in the forms of, for example, figimages were not fully dressed with all the jewellery
leaves, leaves of a papal tree, which has a heart-likementioned.
shape and are believed to be sacred leaves of aThe prosperity of Ayutthaya lasted for four hundred
heavenly tree. Among a variety of precious itemsand seventeen years. Burmese in B.E.2310 destroying
discovered and brought into ornamentation, gold ishistorical evidences burnt those.
the most popular and most widely used because ofLater in the same year, Pra Chao Taksin brought
the neatly of its colour, brightness, its good quality,liberty to the country and established Thonburi as the
rustlessness, rarity and its expensive price. Another iscapital city. Thonburi was the capital for fifteen
the use of precious stones in Thailand related to theyears, during which time the city was constantly at
belief of colours of Hinduism. Countries in the easternwar, thus no clear evidence of gold work could be
part of the world are, to a certain extent, influencedfound. Subsequently, Chao Praya Chakri established
by India's art, culture and practice. Thailand receivedRattanakosin, an era as the capital in B.E. 2325, which
certain ideas about ornamentation in the tenthwas restored and prospered until becoming Thailand,
century and descended until the eighteenth centurythe centre of art and culture, economics and trading,
where Thailand evolved its own characteristics ofas today. For jewellery, there has been schematic
jewellery according to the change of time. Suchdevelopment until the present time. The first king
precious stones brought into body ornamentation arebrought the customs and restrictions of Ayutthaya
of nine kinds, called Nawarattana. They are coralback into use again, including the rules of gold usage
reefs, topaz, sapphire, ruby, a bort, a brilliant, anin the court, including the restrictions on dressing and
emerald, zircon, garnet. However, it (Nawarattana) isornamentation according to status, the prohibition
defined differently in some books. That is,against certain kinds of gold ornaments made for
Nawarattana are sacred objects that are: pearl, ruby,ordinary people. This is because after the changes
topaz, diamond, emerald, lapis lazuli, coral reefs,resulting from being beaten by the Burmese, the old
sapphire and garnet, all of which are the colours oforders, institutions and impositions were omitted.
the three gems of Deva or of the nine planets ofSignificantly, jewellery as a sacred object is full of
the solar system. There is Lapis lazuli but notdecorations for religion, ornamentation, golden gifts,
zircon.The nine precious stones representing Devagolden set of items for worshipping the Buddha have
are:o Pearl representing the colour of the full moonobeen expressed in the old Thai styles, being restored
Ruby representing the colour of the suno Topazand encouraged to recognize the golden work of the
representing the colour of Jupitero DiamondRattankosin period. (Pra Nakorn National museum,
representing the colour of Venuso EmeraldBangkok 2000) Jewellery as sacred objects show
representing the colour of Mercuryo Coral reefshow creative the royal goldsmiths were, being able
representing the colour of Marso Sapphireto create and impose certain forms of gold work to
representing the colour of Saturno Cat's eyeshow the status of estate of Buddhism in Thai
representing the colour of the waxing moon (1st halfpeople's minds clearly and most appropriately.
of lunar month)o Garnet representing the colour ofMoreover, the traditional belief in the relation of
the waxing moon (2nd half of lunar month.) (FineBuddhist culture to jewellery in Thailand symbolizes
Arts Department, 1993, p.159)the use of precious colour stones such as rubies,
Historically, based upon archaeological evidence, duringemeralds etc. that heritages since the Ayutthaya
the Davaravadee period, small blast furnaces andperiod, as can be seen in many types of jewellery.
moulds for jewellery casts were used. Most of theAccording to traditional belief (Chandawit 1992, P. 36),
golden work of the Davaravadee period was found inThai people believe there is a guardian angel for each
the ancient cities in the central part of Thailand, suchday of the week (Ibid 1992 P. 43-44). Each angel has
as the ancient cities of Uthong, Supanburi, Srithep,an individual skin colour.
Petchboon, Srimahosod, Prachinburi andThis belief was referred to by Sunthornphu, who
Nakornprathom. The oldest golden work in Thailanddescribes the following seven auspicious colours, one
can be grouped into two kinds. The first one isfor each day of the week:
religious golden work; Buddha images or items used inSunday: wearing red will bring the wearer good luck
important religious worship, for example, the reposingMonday: wearing white denotes long life
form of Buddha images, or bodhisattva images.Tuesday: blue&purple will bless the wearer with
Another is the golden jewellery found on thegrace
sculptures in ascetic places, which were at the timeWednesday: the day for wearing green
parts of people's lives. There are head-ornaments,Thursday: orange should be worn with a dash of
earrings, necklaces, belts, arm and wrist ornaments,yellow
whose designs were influenced by India. TheFriday: grey will bring victory in battle
characteristics of Davaravadee's jewellery are asSaturday: the day to array oneself in purple
followso Necklaces: The necklaces of the period ofIn the National Museum in Bangkok, there is a
Davaravadee are of various designs. They arecollection of clothes belonging to King Rama IV
octagon-like, star gooseberry- like, star apple- like,(1851-1868) in these seven auspicious lucky colours.
rattan ball-like shaped golden bead-necklaces found atAs fashion changed, the rule was modified. Traced
the ancient city of Uthong, Supanburi.o Lockets: Thefrom a classical novel, Si-phandin 'Four Reigns'
lockets found are of various designs. They are in a(Pramoj, 1948,P.49) during the reign of King Rama V
round shape, like that of the Wheel of Dharma(1868-1910), colours for everyday clothing were
decorated with either long bell-like, or upturned enddefined as follows: (for the lower wrap/for the
triangle-liked shapes with diamonds at the centre. Thisshoulder sash)
evidence confirms that symbols in Buddhism haveSunday: green/red or lichee red or pig's blood red
been strongly represented in jewellery for a longyellow green
time.o Earrings: The earrings found are of variousMonday: pale yellow/pale blue or deep
designs and sizes. The styles discovered mostly aremagenta;pigeon blue/champa red
in the shape of a bulb or pear, the ends of whichTuesday: salmon pink or light purple/yellow green or
turn to each other. The earrings are created eitheryellow green/pale purple
with gold with or without patterns. Some have smallWednesday: iron grey/yellow ochre
seeds of diamonds decorated around the rim.o Rings:Thursday: leaf green/bird blood red or orange/pale
The rings are of various designs, such as those withgreen
gold without pattern, those with colour stonesFriday: deep blue/yellow
decorated on top and those gold coiled around.oSaturday: light purple/yellow green
Other ornaments: They are, for example, small partsThe belief in the relationship between colours and
of golden ornaments assumed to be parts of headguardian angels was expressed through relating
ornaments.colours of gemstones suitable for individual birthdays.
Other found items are beads, earrings and goldFor instance,
flakes, including equipment made of gold. TheSunday: Garnet
prosperity in trading was important for about fiveMonday: Pearl
hundred years. From the eleventh to sixteenthTuesday: Yellow sapphire
century, the new centre of trading became theWednesday: Emerald
kingdom of ancient Khmer, which grew in the eastThursday: Cat's eye
and expanded to Davaravadee and Srivichai.Friday: Moonstone
From the twelfth to eighteenth century, the KhmerSaturday: Blue sapphire (Boonprakob 1999, P. 24)
influence expanded to the east, the northeast and toTo conclude, the development of jewellery as a
some parts of central Thailand. Stone inscriptionssacred object in the context of Thai Buddhist Culture
were found. There were records of religiousin various facets throughout the different eras
activities, sacred images and worship items made ofenabled Thailand to be prosperous, especially in Thai
gold, including the imposition on gold use restricted topeople's minds today. When minds are fulfilled and
the king. For instance, the imposition was from theuplifted, human resources then benefit through the
Ayutthaya period based upon the Deva belief indevelopment of education, government, economy,
Khmer culture, which was the important convention inscience, tradition, customs, art and culture, including
governing the kingdom and completely validated againthe preservation of peace for over two hundred
that essences of religion have been brought intoyears. Jewellery, a main facet of this scared culture,
jewellery. From archaeological evidence from thehas therefore been influenced by such development
northeastern part, gold ornaments were found suchin order to be consistent with the way of life.
as necklaces, rings, and earrings. They wereBeyond the mere issue of its design, jewellery has
discovered around Phnom Rung Stone Castle,been developed to fit the use, social and cultural
Buriram. Golden rings inlaid with jewels and See Saocondition of the Thai people.
style braided gold necklaces were found at Pimai