Revival of a Culture Being Forgotten

While other young adults make their way throughConfucianism and ballet, but they somehow
high school and college, Brian Nieh, Regina Dong, andbeautifully balance this dialectic life of ancient Buddhist
Serena Liang spend 14 hours a day training, studying,principles and texting their friends on their cell phones.
and dancing with the Divine Performing Arts, a NewRediscovering the essence of traditional Chinese arts
York based troupe of classical dancers and musicians.requires more than just learning the old moves and
Many of the 100+ performers that make up Divinedesigning classic costumes, according to Nieh. "You
Performing Arts are young Chinese artists who havehave live a more traditional life, spiritually and morally.
lived most, if not all, of their lives outside of China.It has to come from within."
But despite their western upbringings, they have"People from communist china have the best
come to be seen as the torchbearers of traditionaltechniques and are the most flexible, but their dances
Chinese culture.are deviated. It's not about who has the best abilities.
The genuine traditional arts of China have nearlyWe are trying to communicate with the audience.
perished under the last six decades of communistThat's the energy of our group together. The
rule, and these performers see it as their mission,audience is looking at the whole group so we just try
having grown up in a free society, to bring the trueto contribute to the group," states Nieh's fellow
spirit of their people back to life.dancer Serena Liang.
During the Cultural Revolution of the 1960s andTheir altruistic approach to life and dance comes
1970s, in particular, China's 5,000-year-old culture wasfrom what is known in Chinese culture as "Xiu Lian,"
decimated. Buddhist and Daoist monasteries wereor self-cultivation, an ancient concept describing the
destroyed, and traditional arts and music wereprocess of refining one's character through Buddhism
shunned as relics of the feudal era. Evenor Taoism. The performers at Divine Performing Arts
Confucianism, which had long been the moralsay the only way to convey beauty and purity in
philosophy at the heart of Chinese culture, wastheir performances is to develop it from within
attacked and replaced with the glorification ofthemselves by stressing honesty, compassion, and
violence.leading virtuous lives.
"I didn't understand Chinese culture before, but if you"Everything comes from cultivation," says Regina
think about, who does? It is hard for anyone, evenDong about how she is able to convincingly depict
the people in China, to know anymore. So we areheavenly maidens and Bodhisattvas on stage. "We
digging it up and letting the world get to know it,"cultivate to reach their level, learn about them, look
says 19-year-old Brian Nieh.at paintings and statues, and try to be in the same
"Having grown up in America, being born here, mystate as how we imagine them to be.
dad would try to teach me about Chinese culture and"We have to dance with a pure heart in order to
read me classical stories," says Nieh. "But once Iaccurately portray a Buddha or Bodhisattva," she
joined Divine Performing Arts I realized I didn't knowsays.
anything. In preparing for the different dances weSerena says she quietly went into the audience once
learn about Chinese culture, and then the audienceto watch a part of the show that didn't require her
learns through us."to be on stage. "The synchronization of the dancers
At first glance, it seems strange that American-bornwith each other, with their heart and body, they
teenagers could even properly perform traditionalcooperate, you can see their hearts are not for
Chinese dances, much less be at the forefront of athemselves. It was a very pure moment, just
movement to revitalize a profound, ancient culture.watching my friends performing so perfectly.
They grew up on MTV and skateboarding, not